Håvard Gimse is firmly established as one of Norway’s leading musicians, with a bold and expansive repertoire, and an impressive list of thirty piano concertos he has performed. Gimse is in frequent demand as both soloist and chamber musician, and as concert artist he has toured throughout Scandinavia and appeared abroad with the Baltimore, Tokyo and Birmingham Symphony Orchestras, the Royal Philharmonic Orchestra, the Frankfurt Radio Symphony Orchestra, and the Konzerthausorchester Berlin, among others. His strong affinity for Scandinavian music, and Norwegian music in particular, has made him one of the leading recording artists in this arena. Gimse has been the recipient of the Grieg Prize (1996) and the Sibelius Prize (2004), and he has been honoured with a Diapson d’Or and with Gramophone’s Critics Choice.
Håvard Gimse has performed on many of the world’s most prestigious concert stages, including Carnegie Hall in New York City, Palais des Beaux-Arts in Brussels and the Concertgebouw in Amsterdam. As chamber musician he regularly gives guest performances at Wigmore Hall in London. In the course of Gimse’s longstanding collaboration with Norwegian cellist Truls Mørk, the two artists have toured together in Japan, Italy and the USA.
Scandinavian appearances in 2015-2016 have included a critically acclaimed performance of Rachmaninoff’s Piano Concerto No. 3 with Oslo Philharmonic Orchestra, an extensive Norwegian concert tour devoted to Beethoven, and concerts at the Norwegian National Opera. He has also performed at the Bergen International Festival and appeared as soloist with the Gothenburg Symphony.

On 27 September 1919, a new orchestra took to the stage of the old Logan Hall in Oslo to give its first public concert. Conductor Georg Schnéevoigt presided over thrilling performances of Edvard Grieg’s Piano Concerto and Christian Sinding’s First Symphony. After forty years of making-do, the Norwegian capital had at last got the orchestra it deserved. The Oslo Philharmonic was born. In the eight months that followed, the Oslo Philharmonic gave 135 concerts, most of which sold out. It tackled passionate Mahler, glistening Debussy and thrusting Nielsen. Soon, world famous musicians were coming to conduct it, relishing its youth and enthusiasm. Igor Stravinsky and Maurice Ravel visited Oslo to coach the musicians through brand new music. National broadcaster NRK began to hang microphones at the orchestra’s concerts, transmitting them to the whole of Norway.
Over the next half-century, the Oslo Philharmonic’s reputation grew steadily. Then, in 1979, it changed forever. A young Latvian arrived in Norway, taking the orchestra apart section-by-section, putting it back together a finely tuned machine with a whole new attitude. Under Mariss Jansons, the orchestra became a rival to the great Philharmonics of Vienna, Berlin and New York. It was soon playing everywhere, from Seattle to Salzburg, Lisbon to London. Back home in Oslo, it got a modern, permanent concert hall of its own. In 1986, EMI drew up the largest orchestral contract in its history, ensuring the world would hear the rich, visceral sound of the Oslo Philharmonic.
Three decades after that, the world is still listening. The Oslo Philharmonic retains its spirit of discovery and its reputation for finesse. Under Jukka-Pekka Saraste it cultivated even more the weight and depth that Jansons had instilled; under Chief Conductor Vasily Petrenko, it works at the highest levels of detail and style. Still the orchestra travels the globe, but it has never felt more at home. Its subscription season in Oslo features the best musicians in the business. Outdoor concerts attract tens of thousands; education and outreach programmes connect the orchestra with many hundreds more. In 2019/2020 the thriving city of Oslo will celebrate 100 years of the Oslo Philharmonic, the first-class orchestra it still deserves.